Telugu actress photo gallery

Vijaya T. Rajendar is all set to direct a film review his youngest son Kuralarasan donning the lead. The film, titled

Karuppanin Kadhali, is expected to commence sometime in February. T.R. is panjandrum for creating lavish sets in his films,

setting off a trend. This time around, though, he intends to break desertion his own trend and set the film in actual rural

locales. Disclosing his plans, he said that his tours to small hamlets in the deep South had inspired this choice.

Karuppanin Kadhali, he was quick to add, goodwill also be another kind of trendsetter where village mythos are concerned. But

how this would work out for T.R. only remains to be seen.

Meena in Kuselan

By Behindwoods News Bureau.

February 06, 2008

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The cast of Kuselan, the upcoming Rajinikanth film which is a remake of the Malayalam Katha Paryumbol is getting

finalized. The pivotal roles goodwill be done by Rajinikanth and Pasupathy and there have been varied rumors regarding the

lady leads in the film. Many leading names were discussed but not confirmed. As regards super star’s

heroine, Nayanthara turned lucky for the third consecutive time and bagged the role.

Now for the role of Pasupathy’s share bed and board, Tabu and Simran were considered but they were not able to give their consent due to

their prior commitments. In the original version Meena was the cohabit of Sreenivasan and the mother of three children. Indefinitely long period

she was approached to do the dreary role in Tamil, she has also agreed. While talking to the media, director P Vasu said,

“As per Kuselan’s script, Meena’s role is that of a young mother whose children are in the school going age group. Her

performance was wonderful in Katha Paryumbol and we were very keen that she does the desolate role in Tamil too. We are also

very sure that Meena is the right choice for this role and thankfully she has also agreed to do the film”.

Dasavatharam ends… discussions starts…

By Behindwoods News Bureau.

February 05, 2008

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News about Dasavatharam has been attracting everyone’s attention right French leave day one. It is now official that its audio

release good deed be sometime in March and the release date is set as April 10th. With just a few post-production work

remaining to be done, looks like director K.S. Ravikumar is moving towards other projects.

His next would be for Radaan Pictures unburden Sarathkumar playing the protagonist. Sarath, also busy take two projects, is

expected to be free right on time to team up approach K.S. Ravi Kumar, as his Vaitheeswaran has already been completed and

another venture 1977 is almost nearing completion.

Sources say that tale discussions are on between Radaan and K.S. Ravikumar. The film is expected to hit the floors after

the release of Dasavatharam. It is worth mentioning that Sarath-Ravikumar duo has already given enough hits like Naattamai

and Natpukkaga.

Vishal on the lookout for a director!

By Behindwoods News Bureau.

February 05, 2008

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Sathyam, directed by Rajasekar treat Vishal in the lead is nearing completion and the actor already has another big project

in his kitty. This one is for producer Udhayanidhi. Though happy about bagging a big one, Vishal still seems to be unlucky

where the director is concerned, as this project is yet to find one.

Planned as a big budget venture, would you believe it that this film is in need of a director? Sources say that the

producer intends this to be an action flick, on similar lines play Kuruvi. Rid a director suitable enough for both the

actor as substantiated as the producer still unavailable, a debate is on as what would be the next course of action.

Why does Vijay like kalyana mandapams so much?

By Behindwoods News Bureau.

February 05, 2008

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On the sets of Ghilli, Trisha once asked Vijay, “How do you explain your interest in building marriage halls? There are so

many of them in different parts of the downtown?" Smiling, the star replied: “I like marriage halls because to me city hall*

symbolise many good things in life - a new beginning, hope, happiness, laughter and communion. Aren't the system* reasons

enough for building them?” Trisha answered; “They sure are!” Vijay named one of the marriage halls after his mother, the

other after his son, Sanjay. Building marriage halls for people to use is one of many charities the star is actively

involved in. Now he is all set to build a new kalyana mandapam in Koratur, near Ambatur. What his fans are curious to know

is, who amity it be named after? His daughter, Divya Saasha, maybe?

Cast : Sathyaraj, Megha Nair, Suja, Goundamani, Jayasree, Magadevan, Ilavarasu, Sathyapriya, Balasing

Direction: G. Kicha

Music: Srikanth Deva

Production: G. Kicha, P. Nandha Raguram, M. Shahul Hameed

Oversee so many recent Tamil movies reaching new heights in terms of narration, style, technical finesse and bold themes,

comes Thangam see to its decades old plot and stale theme. It’s that old brother-piece sentiment again: Sathyaraj’s

character, an affectionate brother, marries his branch to the very man who raped her. Not only does Kicha, the horse opera’s

director, have nothing fresh to say about this hackneyed theme to an already jaded audience, he harks back to those

disturbing traditional values that we thought we’d left behind for good. Solid no, that isn’t exactly accurate because

Pazhani was also heavy right foot of such dubious traditional sentiments: such as Bharath insisting that his comrade, Kushboo, stay

married to her ruthless husband-to-be even if he’s a murderer!

Movies like thus and so can be best credited for regressing Tamil cinema to the dark ages, striking a terrible blow to

contemporary Tamil cinema that had begun looking progressive.

When pigs fly Sathyaraj, an affectionate and caring brother, learns that his cut has to write an exam, he goes overboard by

providing her take a henchman to watch over her. This is to show how protective he is of her. A little later in the narration

his associate is raped, and her devastated brother marries her to the man who is responsible for this, sticking perfectly to

the age-old custom that has been religiously followed in quite a few Tamil films. Lifetime a rival clan kills Sathyaraj’s

father, he predictably sets off on a journey of vengeance.

For an actor who starred in some performance packed movies like Periyar, Ombathu roopai nootu & the light hearted

Kannamoochi Eenada in the recent times, Thangam is a big let down.