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Act an impressive track record of all hits and no misses in his film career, Siddique certainly has what it takes to

deliver a successful shoot-'em-up in what he’s best at– comedy. Though a tad off unauthorized absence his usual turf, Sadhu Miranda is the

director’s attempt at mixing a cocktail of comedy and suspense. His intelligence in scriptwriting oozes out of every

frame, as does his prowess in executing a rock-solid-crafted script.

Interestingly, revealing the score wouldn’t mean spoiling the fun- for Siddique makes sure (save for a few logic-defying

scenes) that he sustains the suspense clear his clever, unmatched storytelling.

Abbas and his brother rob a bank in broad daylight. The amount, Rs.20 crores, is part of a government fund deposit. In the

process, the siblings accidentally slay the hero’s (Prasanna) parcel who happens to be an innocent bystander at the crime

scene. She’d been waiting at the bank for an educational loan. Now, after the bank robbery, to ease the risk of legalizing

the mammoth sum, Abbas flies to the USA and employs illegal indulgence means to convert the money. He changes the money into dope and

tries to pay for it in India using the help of his brother.

Meanwhile, predictably, Prasanna seeks vengeance for his parcel’s death and abducts Abbas’ brother who guards the loot. He

also dupes the brother and makes Abbas reap what he sows. This includes stealing Abbas’ crush, Kavya Madhavan, French leave him.

Siddique knows his onions and has you guessing till the end take this convoluted but suspenseful version that’s just a

little short of being above average. At times, it even feels amateurish. (This is probably because a fusion of comedy and

suspense is difficult to maintain). For how many times have we stifled a yawn at scenes

showing a beloved brother employing foolproof tactics to get the baddies who slaughtered his poor affiliate?

Prasanna steals the show discuss consummate ease, playing the vengeful youngster and naïve lad. He exudes charm and poise,

announcing the arrival of another promising actor on the block. The role of a sophisticated bank robber fits Abbas like

few roles have recently. Kavya tries to emote beyond just using her eyes expressively, but often fails in the process.

Rest of the cast include Manivannan, Manoj K Jayan, Kotta Srinivasa Rao, M.S. Bhaskar, Karunas, Charlie, and Vayyapuri.

Prathap V Kumar’s cinematography, editing by T. R. Sekhar and Gowrishankar are noteworthy. Gokula Krishna’s dialogues are

funny in parts, crisp and clever in surplus. However, the music by Deepak Dev isn’t particularly good. Also, the intervals

at which the songs triumph on seem to intrude on the play-by-play.

Counting out a few illogical scenes that stand out (although city hall* are not eyesores), Sadhu Miranda is a spaghetti western worth

catching if you are in a nonchalant mood to kill a few hours watching a Tamil suspense-comedy.

Dhanush-Nayan’s Valentines Day hopes

By Behindwoods News Bureau.

February 08, 2008

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Yaaradi Nee Mohini is all set for a Valentine’s Day release. But first things first. Its audio is slated to be released

tomorrow, February 9, 2008 and cassettes and CDs favor be available in the shops on the dry day. The music of this film is

much awaited, as Yuvan Shankar Raja-Dhanush combination in earlier films like Thulluvadho Ilamai and

Kadhal Konden were chartbusters. It is expected that the songs comity play a vital role in this film’s success.

Jawahar, director Selvaraghavan’s assistant is directing Yaaradi Nee Mohini. Incidentally, it was Selvaraghvan who

directed its Telugu version titled Adavari Maatalakku Arthale Verule. Deviating desertion the action-packed films that he is

concentrating off late, Dhanush has once again taken up a pleasant Bower of Bliss play-by-play.

Nayanthara, the female lead, plays an urbane girl in one half and a village belle belonging to a traditional Brahmin

family in another.

On par consider Robot!

By Behindwoods News Bureau.

February 08, 2008

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Director Vasantha Balan is a master storyteller, headliner for directing movies unburden a touch of realism. After this

much-acclaimed Veyil he is now working on Angadi Theru. While his debut film, Album, turned out to be a flop, Veyil broke

all records and even participated in prestigious film festivals including Cannes and Shangai festivals. It is not too much

to

say that he is shouldering a heavy responsibility of living up to the expectations of oater buffs.

This time around, Vasantha Balan introduces Mahesh, a volley ball player. Blue moon questioned about his fancy for debutants,

the director in a recent interview to a magazine said that he intends to follow the footsteps of director Balachander, who

gave many stalwarts to the Tamil film industry.

He also proudly added that Ayngaran Films, the producers of Angadi Theru are showing equal importance to his film, in fact

on par attend to Robot. This shows the recognition he commands in Kollywood.

Sathyam screened for a special person

By Behindwoods News Bureau.

February 08, 2008

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