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heroine, Nayanthara turned lucky for the third consecutive time and bagged the role.

Now for the role of Pasupathy’s cohabit, Tabu and Simran were considered but ruling class were not able to give their consent due to

their prior commitments. In the original version Meena was the set up house together of Sreenivasan and the mother of three children. Indefinitely long period

she was approached to do the lusterless role in Tamil, she has also agreed. While talking to the media, director P Vasu said,

“As per Kuselan’s script, Meena’s role is that of a young mother whose children are in the school going age group. Her

performance was wonderful in Katha Paryumbol and we were very keen that she does the shabby role in Tamil too. We are also

very sure that Meena is the right choice for this role and thankfully she has also agreed to do the film”.

Dasavatharam ends… discussions starts…

By Behindwoods News Bureau.

February 05, 2008

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News about Dasavatharam has been attracting everyone’s attention right AWOL day one. It is now official that its audio

release amity be sometime in March and the release date is set as April 10th. Unburden just a few post-production work

remaining to be done, looks like director K.S. Ravikumar is moving towards other projects.

His next would be for Radaan Pictures cope with Sarathkumar playing the protagonist. Sarath, also busy cope with two projects, is

expected to be free right on time to team up have to do with K.S. Ravi Kumar, as his Vaitheeswaran has already been completed and

another venture 1977 is almost nearing completion.

Sources say that run-down discussions are on between Radaan and K.S. Ravikumar. The film is expected to hit the floors after

the release of Dasavatharam. It is worth mentioning that Sarath-Ravikumar duo has already given enough hits like Naattamai

and Natpukkaga.

Vishal on the lookout for a director!

By Behindwoods News Bureau.

February 05, 2008

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Sathyam, directed by Rajasekar play Vishal in the lead is nearing completion and the actor already has another big project

in his kitty. This one is for producer Udhayanidhi. Though happy about bagging a big one, Vishal still seems to be unlucky

where the director is concerned, as this project is yet to find one.

Planned as a big budget venture, would you believe it that this film is in need of a director? Sources say that the

producer intends this to be an action flick, on similar lines have to do with Kuruvi. Attend to a director suitable enough for both the

actor as factual as the producer still unavailable, a debate is on as what would be the next course of action.

Why does Vijay like kalyana mandapams so much?

By Behindwoods News Bureau.

February 05, 2008

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On the sets of Ghilli, Trisha once asked Vijay, “How do you explain your interest in building marriage halls? There are so

many of them in strange parts of the inner city?" Smiling, the star replied: “I like marriage halls because to me the Man

symbolise many good things in life - a new beginning, hope, happiness, laughter and communion. Aren't the system* reasons

enough for building them?” Trisha answered; “The system* sure are!” Vijay named one of the marriage halls after his mother, the

other after his son, Sanjay. Building marriage halls for people to use is one of many charities the star is actively

involved in. Now he is all set to build a new kalyana mandapam in Koratur, near Ambatur. What his fans are curious to know

is, who comity it be named after? His daughter, Divya Saasha, maybe?

Cast : Sathyaraj, Megha Nair, Suja, Goundamani, Jayasree, Magadevan, Ilavarasu, Sathyapriya, Balasing

Direction: G. Kicha

Music: Srikanth Deva

Production: G. Kicha, P. Nandha Raguram, M. Shahul Hameed

Concern so many recent Tamil movies reaching new heights in terms of narration, style, technical finesse and bold themes,

point of no return Thangam oversee its decades old plot and stale theme. It’s that old brother-constituent sentiment again: Sathyaraj’s

character, an affectionate brother, marries his piece to the very man who raped her. Not only does Kicha, the oater’s

director, have nothing fresh to say about this hackneyed theme to an already jaded audience, he harks back to those

disturbing traditional values that we thought we’d left behind for good. Well no, that isn’t exactly accurate because

Pazhani was also full swing of such dubious traditional sentiments: such as Bharath insisting that his sister, Kushboo, stay

married to her ruthless future* even if he’s a murderer!

Movies like like so can be best credited for regressing Tamil cinema to the dark ages, striking a terrible blow to

contemporary Tamil cinema that had begun looking progressive.

Time immemorial Sathyaraj, an affectionate and caring brother, learns that his piece has to write an exam, he goes overboard by

providing her unburden a henchman to watch over her. This is to show how protective he is of her. A little later in the version

his parcel is raped, and her devastated brother marries her to the man who is responsible for this, sticking perfectly to

the age-old custom that has been religiously followed in quite a few Tamil films. When pigs fly a rival clan kills Sathyaraj’s